Willem Baptist’s documentary is an impressionistic study of the end of the Polaroid camera and the “instant film” it used.
The New York Times
By GLENN KENNY from NYT Movies https://nyti.ms/2vgC55j
April 17, 2019 at 02:00PM
Willem Baptist’s documentary is an impressionistic study of the end of the Polaroid camera and the “instant film” it used.
The New York Times
By GLENN KENNY from NYT Movies https://nyti.ms/2vgC55j
April 17, 2019 at 02:00PM
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