Francesco Rosi’s adaptation of Carlo Levi’s best-selling memoir, “Christ Stopped at Eboli,” is an absorbing immersion in peasant poverty under Fascism.
The New York Times
By J. HOBERMAN from NYT Movies https://ift.tt/2uGLCmf
April 1, 2019 at 02:00PM
Francesco Rosi’s adaptation of Carlo Levi’s best-selling memoir, “Christ Stopped at Eboli,” is an absorbing immersion in peasant poverty under Fascism.
The New York Times
By J. HOBERMAN from NYT Movies https://ift.tt/2uGLCmf
April 1, 2019 at 02:00PM
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